EVERY ANGLE,
EVERY ERA.
A century of cinema, indexed across 74,000+ films and seven purpose-built lenses. Open the engine cover. Watch the math run.
What you actually get when you sign in. No marketing inflation.
THREE CHARTS, REAL NUMBERS
Not screenshots. These render straight off the live catalog the moment the page loads. Open any of them full-size in the dashboard.
EVERY ANGLE, A LENS
Each one rebuilt this year as a single, opinionated question. Open any of them straight from the gallery.
FOUR THINGS WE DIDN'T EXPECT
Run the catalog through the right lens and the patterns surface. Each of these turned up during this year's rebuild.
The 1,018 films with at least one Oscar win average 75.9 on our master score. The other 73,553 average 65.1. A statue is worth about eleven points, and the gap is remarkably stable across decades.
Of every year that released 250 films or more, 1964 holds the highest mean master score at 68.7 — just ahead of 1963. The early-sixties window outscores both 1939 and 1994.
Across 160 feature-to-outcome pairings, the strongest correlation we can find anywhere is 0.16, between CAPS density and box office. Screenplay structure does not linearly predict success, and anyone selling you a formula is selling you noise.
The longest tenth of the catalog averages 68.6 on master score; the shortest tenth averages 63.5. Runtime is not quality, but the correlation survives every decade we slice it by.
HOW THE NUMBERS GET MADE
Three layers of analytical machinery, all of them documented. We tell you exactly where the math is sturdy and exactly where it is still maturing.
Every screenplay we touch goes through a quantitative reader that pulls 20 measurable dimensions: scene count, dialogue ratio, vocabulary richness, sentiment arcs, character dominance, and the rest. The features were chosen because they correlate with outcomes, not because they sound impressive.
A Random Forest trained on 1,571 labelled screenplays assigns each new script a quality tier from S through E. The model has a thousand decision trees. Each tree votes. We surface the consensus, the disagreement, and the features that swung the call. Not a black box.
Box-office prediction runs a thousand autonomous audience-persona agents through three rounds of deliberation. The MiroFish engine publishes its forecast every Friday, reflects against actual numbers every Tuesday, and the methodology is in the open. Honest hit rate: 49% overall, 69% on action films.
We say 74,571 films, not 158,000. We say 49% overall hit rate, not 84%. We say 90+ screenwriter style guides, not 429 (that number sums screenwriters, directors, and DPs).
The honest numbers are why studios sign up. Inflated ones blow up on first review. Read the full methodology breakdown for the math behind every claim.
OPEN THE
INSTRUMENT PANEL.
Seven lenses, twenty metrics, a century of cinema. Free to look around.