LET THERE BE LIGHT
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
Full Crew(6 credits)
THE AVAILABILITY MAP
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THE VISUAL DECONSTRUCTION
A bespoke vision agent's reading of the design language behind Let There Be Light's key art.
“The movie poster features a man in a dark suit standing on a cracked asphalt surface, holding a book. Behind him, there are faded images of an older man's face ”
THE NEIGHBORHOOD
Neighboring films in the catalog's similarity graph.