TWENTY DAYS WITHOUT WAR
War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war.
Full Crew(27 credits)
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THE VISUAL DECONSTRUCTION
A bespoke vision agent's reading of the design language behind Twenty Days Without War's key art.
“The poster features three black and white illustrations resembling torn photographs, arranged diagonally on a dark red background with black brushstrokes. The t”
THE NEIGHBORHOOD
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