
20 DATES
“A comedy so real you'll think it's fiction.”
Myles is divorced in L.A. He wants a love life and a film career. So he decides to go on 20 dates and find true love in front of a camera, making his first feature. His patient agent, Richard, finds a $60,000 investor, the shadowy Elie. Myles starts his search, sometimes telling his date she's being filmed, sometimes not. Elie wants sex and titillation, Myles wants it "real." Myles regularly talks with his old film teacher, Robert McKee, who wonders if love is possible in modern life. Half-way through the 20 dates, Myles meets Elisabeth; she's everything he desires and she likes him. Can he finish the 20 dates, satisfy Elie, and complete his film without losing Elisabeth?
Full Crew(6 credits)
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THE VISUAL DECONSTRUCTION
A bespoke vision agent's reading of the design language behind 20 Dates's key art.
“The poster features a stylized, mostly black silhouette of a man in a tuxedo, holding a bouquet of flowers in his left hand, against a plain white background. H”
THE NEIGHBORHOOD
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