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Catalog/Drama/Ypolohagos Natassa
Ypolohagos Natassa poster
B
Strong
MASTER SCORE 66.9 / 100
1970·Drama / War·2h 16m

YPOLOHAGOS NATASSA

The year is 1965. Natasa Arseni visits Dachau, the place where she was found by the Americans at the end of the World War II. She returns to Greece, and during the train ride she recalls those past events. Before the beginning of the Greek-Italian war, she met Orestis . With the German invasion, Orestis, who was an officer in the Greek army, left for the Middle East. She followed him and accompanied him back to occupied Greece on a mission. She was arrested, interrogated and tortured and was finally sentenced to execution.

Above the Line
Nikos Foskolos·DirectorNikos Foskolos·WriterNikos Gardelis·Director of PhotographyKostas Kapnisis·MusicVasilis Syropoulos·Editor
Cast
Aliki Vougiouklaki·Natassa ArseniDimitris Papamichael·OrestisKostas Karras·MaxSpyros Kalogirou·MajorAndreas Filippides·Natassa's FatherEleni Zafeiriou·Natassa's MotherKakia Panagiotou·LizaThanos GrammenosLabros KotsirisNikos Dendrinos
Full Crew
(10 credits)
Directing· 1
Nikos Foskolos·Director
Writing· 1
Nikos Foskolos·Writer
Camera· 3
Nikos Gardelis·Director of PhotographyDimos Sakelariou·Director of PhotographyGiorgos Arvanitis·Director of Photography
Editing· 1
Vasilis Syropoulos·Editor
Sound & Music· 1
Kostas Kapnisis·Music
Art & Design· 1
Markos Zervas·Set Decoration
Production· 1
Filopoimin Finos·Producer
Other Departments· 1
Giannis Samiotis·Special Effects
By the Numbers
66.9
OF 100
Master Score
5.7
OF 10
IMDb
—
CRITICS
Rotten Tomatoes
—
Worldwide Gross
0
Oscar Wins
Where to Watch

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Poster DNA

THE VISUAL DECONSTRUCTION

Ypolohagos Natassa's poster has not been indexed by the visual agent yet. The grid below shows the schema the analysis fills in.

Dominant Palette
Pending
Mood
Unanalyzed
Composition
Unanalyzed
Era
Unanalyzed
Visual Style
Unanalyzed

The visual agent has indexed 54,210 posters from the catalog against this schema. The remaining slate is queued for the next enrichment pass.

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THE NEIGHBORHOOD

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THREE WAYS DEEPER

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