GENIUS PARTY
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Full Crew(30 credits)
THE AVAILABILITY MAP
The canonical record of where this film lives across the streaming map.
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THE VISUAL DECONSTRUCTION
A bespoke vision agent's reading of the design language behind Genius Party's key art.
“The poster is predominantly red and features a grid of animated scenes. The top section displays the title "Genius Party BEYOND" in yellow and black. Below the ”
THE NEIGHBORHOOD
Neighboring films in the catalog's similarity graph.
THREE WAYS DEEPER
Every catalog entry where Atsuko Fukushima, Yoji Fukuyama, Hideki Futamura is credited as director.
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